Copenhagen: The Six Forgotten Giants Hunt and Nature Walk

The best thing about this Copenhagen excursion is that the art is not in a gallery. Thomas Dambo’s six enormous wooden trolls are scattered through parks, hills, woods, and the countryside outside the city, so finding them feels like a friendly treasure hunt rather than a standard sightseeing stop. Guide Milad Shekhzada drives you from one location to the next and helps you find sculptures that can be difficult to locate alone.

I like the small group of no more than six people, which gives the outing a relaxed, social feel. I also like the mix of art and fresh air: you get short walks, big photo opportunities, views across Zealand, and useful conversation about Danish life and Dambo’s environmental ideas. The main consideration is the walking. None of it is described as strenuous, but you will walk at several stops, and the full six-giant route may feel long if you prefer a quick sightseeing ride.

Key points to know before you book

• Six giants in four hours: Sleeping Louis, Hilltop Trine, Oscar Under The Bridge, Thomas on the Mountain, Little Tilde, and Teddy Friendly.
• Small-group transport: A private vehicle links the widely scattered sites, saving you the trouble of piecing together cars, buses, or bikes.
• A guide who acts as host: Milad is known for his friendly manner, local information, careful pacing, and willingness to take photos.
• Nature between every sculpture: Expect woods, hills, lakeside scenery, open fields, and short walks rather than one continuous hike.
• Coffee break included: A planned stop with coffee, tea, biscuits, or snacks gives you a useful rest between the first and second half.
• Come ready for Danish weather: Wear comfortable shoes and bring water, snacks, rain gear, and an umbrella.

Why these six trolls make a good Copenhagen side trip

Copenhagen is easy to enjoy on foot, but this outing shows you a very different side of the Zealand Region. Instead of moving from palace to museum, you leave the city and spend time in open-air settings where the sculptures seem to belong to the place.

Thomas Dambo builds large public artworks from recycled materials, and the Forgotten Giants are designed to be found rather than simply passed on a city street. That idea changes how you look at the route. You are not only taking pictures of giant figures. You are also watching for clues in the trees, along paths, on hillsides, and beneath bridges.

The art has a playful side, but it is not only for children. The size of each figure gives the stops a sense of surprise, while the recycled wood adds a handmade quality that polished indoor art often lacks. You can examine the construction, notice how each giant fits its setting, and hear more about Dambo’s approach from Milad.

The tour is especially useful if you have limited time in Copenhagen. Finding all six independently would require planning and reliable transport, since the sculptures are spread out. You would also need to know exactly where to look once you reached each area. The private vehicle turns a complicated day into a straightforward four-hour outing.

Meeting Milad and leaving the city

You meet outside the YMCA Interpoint Hostel in Copenhagen. After a short introduction, you join the small group and set off by private transport. The drive to the first area takes about 25 minutes, giving you a quick transition from city streets to quieter surroundings.

Milad’s role goes beyond driving. He shares information about Thomas Dambo, explains the places you visit, and talks about Danish culture and daily life along the way. His approach is informal and attentive. He has also been praised for checking in with each person, taking questions, offering rest stops, and helping people feel included in the group.

That matters on a small tour. With six participants or fewer, you do not have to compete with a crowd to hear the guide or take a picture. Solo visitors can also find the setup comfortable, since the outing naturally creates conversation without the feel of a large bus tour.

The vehicle is a major part of the value. The six sculptures are not arranged in a compact walking circuit, so driving between them protects your energy for the actual walks. It also makes the route more practical for cruise visitors or anyone who does not want to rent a car.

Sleeping Louis and Hilltop Trine

The first two stops introduce the basic rhythm of the day. You ride to a natural area, walk to a giant, spend time taking photographs and hearing its story, then return to the vehicle for the next location.

Sleeping Louis lies in a scenic outdoor setting, and the name gives the sculpture an immediate sense of character. The fun is in seeing a giant wooden figure resting in nature, far removed from the usual urban art route. This is the kind of stop where a wide-angle photograph helps show both the scale of the sculpture and the setting around it.

Hilltop Trine adds a different view. Perched high enough to offer a broad outlook, Trine gives you one of the day’s better chances to look across the surrounding area. The walk is part of the appeal, since reaching a sculpture on a hill feels more like a small discovery than an ordinary roadside stop.

You should not expect a long mountain hike. The walks are generally moderate and short enough for a mixed-age group, but the exact effort depends on the route and the weather. Slopes, damp paths, or muddy ground can make comfortable shoes more important than you might first expect.

Oscar Under The Bridge and the first rest stop

Oscar Under The Bridge is the most playful location in the first half. The setting lets the sculpture appear as a surprise, with the bridge adding a strong frame for photographs. This stop shows why a guide is useful: the figures are not always visible from the vehicle, and the fun depends on knowing where to turn and where to walk.

After the first three giants, the group takes a coffee break. Coffee, tea, biscuits, or snacks may be provided, and you can also bring your own food and drinks. The break is not just a small extra. Four hours of riding, walking, taking photos, and listening is easier when you have a planned chance to sit down and reset.

A lakeside or park setting may be used for the pause, depending on the route and conditions. It gives you time to talk with the other participants and ask Milad questions without trying to keep moving. Several people have particularly appreciated the fact that he brings refreshments and pays attention to the group’s pace.

If you are sensitive to weather, this is a good point to think practically. Denmark can shift from sun to rain quickly, and a coffee stop feels much more welcome when you have packed a waterproof layer rather than relying on a light jacket.

Thomas on the Mountain and Little Tilde

The second half continues with Thomas on the Mountain. Its height gives the sculpture a dramatic presence, and the setting reinforces the playful idea of giants inhabiting the countryside. You get another opportunity for large-scale photographs, especially if someone in the group steps back far enough to show the full figure.

Little Tilde brings a gentler mood. The sculpture is often described as the cutest of the six, but the important point for you is the contrast. The route does not give you six identical photo stops. Each giant has a different position, name, and relationship to its surroundings.

These two stops also tend to be a highlight for people who want more time outside the city. The walks pass through attractive natural areas, and the art gives you a reason to explore them. If you have spent several days among Copenhagen’s streets and museums, the change of pace can feel refreshing without requiring a full day trip.

The tour’s timing is well suited to this format. Four hours may sound long for six sculptures, but the sites are spread out and each one requires some walking. You have time to see the figures properly, take photographs, listen to explanations, and pause without rushing from one stop to the next.

Teddy Friendly and the final stretch

Teddy Friendly is the last giant on the route. Its name makes the final stop easy to remember, and the sculpture completes the set with another large figure in an outdoor setting. By this point, you will have seen the range of places Dambo uses: hills, woodland, open spaces, and structures such as bridges.

The full route is not compulsory in spirit, but the experience is built around visiting all six. One person felt that four giants were enough for a day and would have preferred to finish earlier, even though the group enjoyed the outing. That is a fair warning if you do not like full itineraries. The final two sites add variety, but you may feel satisfied after the central portion of the trip.

For most people who specifically want to see all six, completing the route is the point. The last stop also gives you a sense of the project as a whole. You have not simply seen one famous sculpture. You have followed an artistic trail through several parts of the countryside.

Walking, weather, and practical comfort

This is a moderate walking experience, not a sightseeing ride where you step out beside each sculpture. You walk at every location, and the route may include hills, woodland paths, and uneven ground. People who walk at a slower pace can still enjoy it, since Milad has been praised for adjusting the speed and allowing rest.

I would wear sturdy, comfortable shoes with a good grip. Bring water, snacks, comfortable clothing, an umbrella, and rain gear. Weather-appropriate layers are more useful than trying to guess whether the day will be sunny from the forecast you saw at breakfast.

The activity is listed as suitable for all age groups, but it is not a good match for someone with walking difficulties or major physical limitations. Unaccompanied minors are not allowed. You can bring your own food and drinks, though the included coffee break may cover a useful mid-route pause.

The small vehicle and group size also make the day more personal. Milad can answer individual questions and take pictures for you, so you are not forced to ask a stranger to capture every photo. That is particularly handy for solo visitors and couples who want a picture together.

What the $137 price really covers

At $137 per person, this is not the cheapest way to spend four hours around Copenhagen. The price makes more sense when you separate the art stops from the transport problem.

You are paying for a guide, private transportation, and a planned route to six locations that are spread out. You also get a coffee break and the benefit of someone who knows where the sculptures are located. Renting a car could reduce the per-person cost for a larger private party, but it would leave you responsible for driving, parking, navigation, and finding the correct paths.

Public transport or cycling may appeal to independent visitors, but reaching all six in one half-day would take more planning and may not be efficient. The tour is strongest for you if convenience matters, if you are visiting from a cruise, or if you want local conversation along with the sculptures.

The value is weaker if you only want one or two Dambo trolls, dislike group outings, or prefer to explore at your own pace. In that case, a shorter self-guided visit may suit you better. For anyone determined to see all six without logistical headaches, the price is easier to justify.

Who should book this experience

I would choose this outing if you want an unusual break from Copenhagen’s central sights. It suits people who enjoy outdoor art, light walking, photography, and meeting a few other visitors in a relaxed setting.

It is also a strong choice for solo visitors. The group is small enough for real conversation, while the shared search for the giants gives everyone an easy subject to talk about. Couples and families can enjoy it too, provided everyone is comfortable with the walking and changing weather.

You should think twice if your priority is a tightly timed city itinerary. The route takes four hours, including driving, walks, and the break. It also depends on outdoor conditions, so a rainy day will change the feel of the experience, even though the tour can still go ahead with proper clothing.

The cancellation policy gives you some flexibility: you can cancel up to 24 hours ahead for a full refund, and you can reserve now and pay later. Starting times vary, so check availability when you plan your day.

Should you book the Six Forgotten Giants hunt?

Book it if you want to see a quieter, more playful side of Copenhagen and do not want to find six scattered sculptures on your own. Milad’s friendly hosting, private transport, planned rest stop, and care with group pacing add real value.

Skip it if you want a museum-style art tour, minimal walking, or complete freedom to linger at one place. For everyone else, this is a memorable half-day outing that combines recycled-wood art, fresh air, Danish countryside, and a proper sense of discovery.

FAQ

Where does the tour meet?

Meet outside the YMCA Interpoint Hostel in Copenhagen.

How long does the experience last?

The tour lasts four hours. Check availability for the available starting times.

How many people are in the group?

The group is limited to six participants.

Who guides the tour?

The English-speaking guide is Milad Shekhzada.

Which giants will I see?

You will visit Sleeping Louis, Hilltop Trine, Oscar Under The Bridge, Thomas on the Mountain, Little Tilde, and Teddy Friendly.

Is transportation included?

Yes. Private transportation between the sculpture sites is included.

Is coffee included?

Yes. A coffee break is included, and tea, biscuits, or snacks may also be available. You can bring your own snacks and drinks.

How much walking is involved?

The experience includes moderate walking at the different sculpture sites. Comfortable shoes are recommended, and it may not suit people with walking difficulties or other physical limitations.

What should I bring?

Bring comfortable shoes, water, snacks, an umbrella, rain gear, comfortable clothing, and clothing suited to the weather.